3 October 2017

Call for contributions - 'Design & Nature' book

Just announced: a call for contributions to a new edited book about design and nature! We welcome many types and formats of pieces and many different perspectives. More details below…

Why The context of this book is the threat to vital earth systems, as exemplified by climate change, ecological toxicity, and biodiversity loss. Human activities are driving the deterioration of natural systems. Technology, policy, new business models – even changed behaviours, are not enough to reverse the deterioration. Instead, new – or rediscovered old – relationships between humans and nature are required. Design, a powerful extension of

Designing interactive systems

School of Design, Hong Kong Polytechnic University, 9-13 June 2018

The theme of DIS 2018 is diversity and design. Diversity is reflected in the choice of Hong Kong as the site of the DIS 2018 conference. Hong Kong’s 7.5 million people come from different ethnic, social and cultural backgrounds to form a multiplicity of communities, beliefs, and practices. Interactive systems can be designed to take into account diversity, but also the universal landscape as the recent success of many Silicon Valley companies so clearly show. When faced with diversity, designers face a classic philosophical question about particulars and universals: should design build on diversity and be particular, or should it go after universal applications, technologies and experiences? Every designer has to find a way around this question in defining their view of experience, methods, applications and technologies.

DIS 2018 invites submissions that address the following questions: Are our current models of user experience adequate in addressing diversity? What kinds of methods and processes are needed for designing for diversity? How can applications and technologies be designed to address diversity and even add to it in this era of giant global corporations? What are the ethical limits designers have to face when designing for diversity? When answering these questions, DIS seeks papers that make a contribution to knowledge in a believable manner. When submitting, you must select one or two of the following subcommittees:

Design theory, methods, and critical perspectives
Do our design methods, processes and critical perspectives support diversity? How could they be improved and what are the limits? - Your answer to this question can focus on

Call for papers - Design Research Society 2018

Limerick, Ireland, 25-28 June 2018\

Designing is increasingly taking place in shifting territorial, economic, and policy contexts. DRS2018 will explore emergent themes at the intersections of design research, design practice, design education and design policy. We ask what are the ways in which design research can catalyse progressive change in this emerging world?
As well as DRS2018 Call for Papers, we also seek submissions for the PhD by Design event, Workshop sessions and Conversation sessions. Please see the website for the Call for Conversations, Call for Workshops, and PhD by Design.

DRS2018 invites new and challenging paper submissions from any area or discipline of design research.  We embrace research looking at and using design in the widest possible sense with interdisciplinary work and work responding to the conference themes particularly encouraged.

Theme tracks for DRS2018
In addition to an open call for papers, there are a number of theme tracks to which authors are encouraged to submit their research papers. The Open Track is an open call for papers

INTERIOR PROVOCATIONS - Interiors Without Architecture

Call For Proposals: Praxis + History/ Theory

The second annual Pratt Interior Provocations symposium, Interiors without Architecture, seeks papers addressing the broad cultural, historical, and theoretical implications of interiors beyond their conventionally defined architectural boundaries, and not limited by interior design’s traditional associations with decoration, taste, and social status.

This conference encourages provocative and boundary-expanding proposals from design practitioners, historians, and theorists addressing, for example, the implications of interior design expertise applied to prefabricated, reused enclosures not originally intended for human occupation; interiors composed by natural geography; interior environments created for literature, film, stage and virtual reality; interiors constructed within external urban surroundings; mobile interiors, inhabitable art; infrastructural interiors; interior landscapes; adaptive reuse and interiors; and interiors on and for display, including period rooms, model rooms, dioramas, and store display windows.

Special issue call for papers - "The Intuitive Researcher" - The Electronic Journal of Business Research Methods

What is considered to be respectable academic research has been changing. As far back as 1992 Jurgen Habermas pointed out in his book, Postmetaphysical Thinking , that “we now think more tolerantly about what might count as science.” (Habermas, 1992) Gone are the days when only positivist methodologies based on physical measurements were required in order to be regarded as respectable science. The world of qualitative research is now clearly understood to be highly competent in offering solid insights and robust knowledge about all human and organisational issues. This liberating shift has allowed many more variances in the way in which academics pursue their enquiries.
One of these relatively new approaches may be referred to as Arts-informed research methods. This is a wide-ranging term which includes both the visual arts and the performing arts as ways of understanding research questions, collecting data and establishing and interpreting insights. The unconscious always speaks through image, not rational dialogue, so arts-based approaches allow one to access intuited knowledge. The research data for intuitive researchers is likely to include metaphor and symbol.
These Arts-informed research methods together with other qualitative approaches are welcomed for this Special Issue. Papers may showcase research which either uses arts as a process for inquiry, or presents art as a research outcome.

Abstracts: 15 October, 2017
Full papers: 4 December, 2017

More information at the EJBRM website.

2 October 2017

New books in the library - August - September 2017

A few new books in the library are listed below. You can also see a list of recent print additions to the library (the list is sorted by dewey decimal number - the most relevant areas for the school of architecture & design might be 307, 711-729, 745, 747 and 749). Also, to search for new books by topic, try your search, refine the results to books and order by publication date - e.g., urban design.

Please send any library requests to Tristan or Vivian for graphic arts.


The other moderns: Sydney's forgotten European design legacy
"... uncovers the work of Sydney's forgotten emigre architects, interior designers, and furniture makers working from the 1930s to 1960s, and reveals their groundbreaking impact on modernist design. Highlighting the direct connections between Sydney and the European design centres of Vienna, Berlin, and Budapest, the book provides a new understanding of modernism.
Profiling the work of architects like Henry Epstein and Hugo Stossel, along with Gerstl Furniture, The Other Moderns tells the story of the network of architects, designers, property developers, retailers, and photographers working together to bring a distinctly European style to mid-century Australia. 
Richly illustrated with rare photography, including stunning images from Austrian-born photographer Margaret Michaelis, and furniture from the collection of Hotel Hotel Canberra, the book explores the work of this unacknowledged group of style makers for the first time."

"This is the first book to celebrate the life and work of Grant Featherston (1922–1995), the Melbourne-based industrial designer most well known for his Contour chairs.
Featherston, later joined by his second wife, Mary, designed hundreds of chairs over the next thirty years; however, this astonishing Australian industrial design partnership has gone largely uncelebrated until now. Featherston focuses on the chairs produced between 1947 and 1975 and presents a new biography of the designer, drawn from archival research and interviews with his peers. It is extensively illustrated with over 250 beautiful photographs and includes a selection from the previously unpublished personal achieve of Ian Howard, the former Managing Director of Melbourne-based manufacturer Aristoc." 


Robot house: Instrumentation, representation, fabrication
"... features projects produced by the most advanced robotics design studio in the world, often interacting with a wide range of technologies from motion capture to material science? a realm far beyond the capabilities of 3D printing. The book has three central sections: Principles, which sets out the fields and the thinking that underlie the new uses for robotics; Projects, which offers detailed presentations that explore how these principles can be applied and augmented through interactive prototypes and working models; and Platforms, which presents the working tools used for robotic architecture through specially drawn technical illustrations."

Together: The new architecture of the collective
"Housing is scarce, that much has become evident in the last few years. As real estate prices in big cities continue to skyrocket, conventional ideas of housing development prove unable to meet demands. The reaction to these challenges has been a silent revolution in contemporary architecture - towards collective building and living. Using models, films, and walk-in displays, the exhibition 'Together! The New Architecture of the Collective' addresses this global phenomenon by presenting a broad array of collective building and living projects from Europe, Asia, and the United States. An overview of historical precedents for the current wave of collectives demonstrates that the idea of collectivity has been a recurring theme in the history of architecture, from the reformist ideas of the nineteenth century to the hippies and squatters of the twentieth who touted the slogan 'Make love, not lofts'."

The Avery Review essay prize

The Avery Review - Critical Essays on Architecture
The Avery Review is excited to announce and invite submissions for our first-ever Essay Prize for emerging writers. The call is open to current students and recent graduates, whether in schools of architecture or elsewhere (eligibility details below). In keeping with the mission of the journal, we hope to receive submissions that use the genres of the review and the critical essay to explore the urgent ideas and problems that animate the field of architecture. We're looking for essays that test and expand the author’s intellectual commitments—theoretical, architectural, and political—through the work of others.

We plan to award one first-place prize ($4,000) and three second-place prizes ($2,000)

Call for book chapters - People, Personal Data and the Built Environment

Personal data is increasingly important in our lives. We use personal data to quantify our behaviour, through health apps or for 'personal branding' and we are also increasingly forced to part with our data to access services. With a proliferation of embedded sensors, the built environment is playing a key role in this developing use of data, even though this remains relatively hidden. Buildings are sites for the capture of personal data, such as oyster card gateways or WIFI hotspots. This data is used to adapt buildings to people's behaviour, for example when a card reader opens a door or occupancy changes the light levels in a building. Increasingly, organisations use this data to understand how buildings are occupied and how communities develop, and data supports design processes, when architects record requirements of their clients, and encode this in Building Information