Presence.
Submission deadline 12 October 2018
Buildings, cities, landscapes, sculptures, paintings, and music, even, are already physically present and persisting in a present. Why theorise their presence, and what relevance could such a notion have for arts rooted in space?
The contemporary emphasis on the physical, material, performative and atmospheric – rather than on meaning – is a reaction against the overly discursive and semiotic strains of ‘80s post-modernism, when the identification and attribution of meaning became a core practice of architectural thought. Afterwards, materiality and its effects assumed what Hans Ulrich Gumbrecht terms a “non-hermeneutic” presence (2004: 1-20), coinciding with the much vaunted ‘post-theory’ in architecture and its rejection of criticality. Today, we no longer believe that theory has been surpassed, nor, by the same token, that a complex of meanings can be kept separate from its mediality, that is, from material. Neither is pure



