Daughters of Chaos: 8th Deleuze Studies
International Conference
29 June –1 July 2015, Stockholm
Abstract
submission: 21 November 2014
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‘Inflection’ journal
“Inflection, the Melbourne
School of Design's student-run journal of architecture and the built
environment, invites submissions to its second annual edition, Projection.”
All
submissions up to 3000 words due by 1
April 2015. Contributors wishing to submit peer-reviewed
work or pieces longer than 1500 words must submit a 200 word abstract by 1 December 2014.
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Housing – A Critical Perspective
8-9
April 2015, Liverpool
Abstract
submission: 12 December 2014
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The future of open
building conference
9-11 September 2015, Zurich
Abstract
submission: 17 December 2014
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Society of Architectural Historians
6-10 April 2016, Pasadena/Los Angeles
Abstract
submission: 16 January 2015
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Production Sites: Resituating the culture of architectural knowledge
29-30 July
2015, London and 29-30 October 2015, Sydney
“Production
sites is a symposium that scrutinises new cultures of architectural knowledge
by examining the sites where knowledge is produced. As a discipline,
architecture has largely framed knowledge through the idea of building types,
formal styles or sites for design action. Yet participatory design modes,
digital technologies, and event-based models present alternatives that probe
the divisions between real and imaginary sites, experiential and ideatic
encounters, aesthetics and technology. Thus Production sites is a response to
fundamental transformations in terms of how cultural knowledge and meaning are
currently produced.”
Abstract submission: 15 January 2015
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‘Architecture and Culture’ journal – Architecture & the spaces of information
“The printed book was used to communicate
architecture as soon as it became available in the late fifteenth century, and
is still being used today. Its dominance may be threatened by new types of
medium, but some of its characteristics are likely to be copied in other media
that may replace it. For the time being, no other media confers such
intellectual respectability whatever its shortcomings may be for
communication.’ —Alan Powers ‘The Architectural Book: Image and Accident’, 2002
Since Alan Powers
wrote these words some time around 2002, shifts in practice, material,
production and media environment have advanced the relationship between
audience/user/reader and architectural space. Working between art, editorial
design and architecture, between practice and scholarship, in this issue of Architecture
and Culture we want to chart and
explore the broad trajectory of these changing relationships as they emerge
from appropriations of conventional publishing channels to take up more complex
spatial dispositions.”
Abstract submission: 16 February 2015
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