17 September 2018

New books in the library - September 2018

The following is a selection of new Library books. See New Books in the Library for other recently added titles. (The most relevant call numbers for Architecture & Urban Design will be around 307, 711-729, 745, 747 and 749).  You can also search for books on your topic in LibrarySearch and use the "New Records" option to refine your results to the last week, month, or 3 months.

Please send any purchase requests to Tristan.


'The Coburg Plan is a book of photographs and essays documenting a suburb in flux: the past lives of old Coburg and the new layers of residential architecture rewriting the landscape ... Jessie Scott’s photographs, taken over the last six years, are accompanied by essays, stories and texts by Timmah Ball, Tilde Joy, Eugenia Lim, Emma McRae, Kyle Weise, Maggie Scott and Ugly Melbourne Houses, exploring what a shifting urban landscape might reflect about the economic and political forces that shape architecture, urban planning and infrastructure.





The National Gallery of Victoria’s inaugural exhibition at its new premises on St Kilda Road in 1968 was The Field, the first comprehensive display of colour field painting and abstract sculpture in Australia. Regarded as a landmark exhibition in Australian art history, The Field was a radical presentation of seventy-four works by forty artists who practised hard-edge, geometric, colour and flat abstraction, many of which were influenced by American stylistic tendencies of the time. The Field Revisited recreates this landmark exhibition for its fifty-year anniversary in 2018. This two-volume edition includes a facsimile of the rare and highly collectible 1968 exhibition publication alongside The Field Revisited – a new publication which reflects the importance of The Field over the past fifty years. The Field Revisited includes more than fifty-five colour illustrations as well as critical essays by Janet Dawson with Jenny Bell; Tony Ellwood; David Homewood and Paris Lettau; and Beckett Rozentals.


This Handbook provides the first comprehensive international overview of significant contemporary Indigenous architecture, practice, and discourse, showcasing established and emerging Indigenous authors and practitioners from Australia, Aotearoa New Zealand, the Pacific Islands, Canada, USA and other countries. It captures the breadth and depth of contemporary work in the field, establishes the historical and present context of the work, and highlights important future directions for research and practice. The topics covered include Indigenous placemaking, identity, cultural regeneration and Indigenous knowledges. The book brings together eminent and emerging scholars and practitioners to discuss and compare major projects and design approaches, to reflect on the main issues and debates, while enhancing theoretical understandings of contemporary Indigenous architecture. The book is an indispensable resource for scholars, students, policy makers, and other professionals seeking to understand the ways in which Indigenous people have a built tradition or aspire to translate their cultures into the built environment. It is also an essential reference for academics and practitioners working in the field of the built environment, who need up-to-date knowledge of current practices and discourse on Indigenous peoples and their architecture.


The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips, it wasn't so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced and made available to us by technology is good or bad, but rather how we want to relate to it as human beings. The three essays by Douglas Coupland collected in this volume address this question.





Worldwide, more and more people are living in cities, with suburbs conceived as appendages to the city, rather than being part of the city system, which is densely populated and offers a full range of services. But suburbs are not the city spread too thin, and in fact hold potential for a lived complexity as satisfying as that assumed to be available in inner cities. Just as the ecological function of wetlands was ignored by modernist planning, and swamps once-drained are now recognised as vital to water cycles, suburbs are increasingly recognised as part of a city’s wellbeing with their own alternative ideology and opportunities for urbanity and ecological sustainability. Suburbia Reimagined shows how such subdivision structures can offer new possibilities for sustainably integrating living between generations and between established and arriving migrant communities.

12 September 2018

Design competition: LA+ ICONOCLAST




LA+ ICONOCLAST asks you to redesign New York’s Central Park, which has been fictionally devastated by eco-terrorists. 

Here’s the brief:

Central Park is arguably the canonical work of modern landscape architecture. Its aesthetic and socio-political ideals of health, beauty and democracy underpin the profession of landscape architecture, which Olmsted first named, to this day. Writing of the park in 1973, the artist Robert Smithson claimed that Olmsted “combined both art and reclamation in Central Park in a way that is truly in advance of his times.” But what would Olmsted do today? What will you do?

This competition asks that you redesign Central Park, starting, as Olmsted and Calvert Vaux did, from scratch. In doing so this competition seeks to explore the following questions:
  1. If in parks, no matter how faux or superficial, we manifest a collective aesthetic expression of our relationship with the “natural” world, then what, on the occasion of nature’s disappearance, is the aesthetic of that relationship today?
  2. What is the role of a large urban park today?
  3. How might issues of aesthetics on the one hand and performance on the other coalesce into what Olmsted described as “a single work of art”?
  4. Given the extraordinary history of the Central Park site, the competition asks how the new interprets the old, and how together, the new and the old anticipate the future.


In short, the brief is to create the concept for a new, 21st century Central Park. The brief asks for a plan, a short explanatory text, and discretionary supporting imagery. The

11 September 2018

Special Issue for the Journal of Interior Design


CALL FOR PAPERS: Special Issue for the Journal of Interior Design

The Journal of Interior design is seeking submissions for a Special Issue entitled "Pushed to the Edge? Marginalization and the Constructed Interior," guest-edited by Jennifer Web.



Many humans live on the edge each day, pushed to where the possibility of success or simply a small step forward is unattainable. For these individuals, families, and cultures, life on the edge or in the margin does not represent the thrill of stepping into the unknown but is instead simply the unknown. Where will they sleep, when will the next meal occur, what violence might they face?

Marginalization is an outcome of discrimination, social stigma, and stereotype, resulting in “persistent inequality and adversity” (NDI, 2018). The World Health Organization further explains that marginalization as “dynamic, multi-dimensional processes driven by unequal power relationships interacting across four main dimensions - economic, political, social and cultural - and at different levels including individual, household, group, community, country and global levels. It results in a continuum of inclusion/exclusion characterised by unequal access to resources, capabilities and rights” (WHO, 2018). It is significant to our broader understanding of marginaliation to identify two distinctly different perspectives. First, marginalization is the intentional outcome arising from discriminatory attitudes and beliefs. Second, and most often overlooked, marginalization is born in a vacuum where the attitudes and beliefs fostering inclusion have not been intentionally incorporated.

Framed by both historic and contemporary social values, marginalization is entrenched such that victims find themselves unable to engage in community activities, participate in political

CAADRIA 2019



INTELLIGENT & INFORMED: The 24th Annual Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2019)


15-18 April 2019  |  Victoria University of Wellington, Faculty of Architecture & Design

Abstracts due by 01 Oct 2018  |  Full Papers due by 10 Dec 2018

The territories of computational design are ever-changing and represent a substantial region that remains uncharted; one with expanding and permeable boundaries that continue to be fully breached.  This ocean of opportunity implores researchers to embark on ambitious journeys of exploration. Undulating and temporal,  computational design needs research that engages explicitly with the innovative, intelligent and informed exploitation of computational design, and with the array of computational technologies that the discipline may engage with.

Human intelligence and creativity deliver the hegemonic direction for the field of computer-mediated architectural design research; an area where the computational component is a core aspect of the investigation. The actors in this are both witness to, and instigators of, the exciting, consequent, well-founded research that continues to deliver new knowledge, insights and information.

This, then, explains the specific overarching theme of the conference: ‘Intelligent & Informed’. 

The scope of this theme is driven by the intention to take in aspects of machine intelligence, and a wide range of potential research that engages with the intelligent exploitation of computer-mediated techniques in Architecture.

Within the coverage of the call lies a broad spectrum of approaches ranging from speculative, informal investigations to conventional scientific research, including but not

10 September 2018

Plot(s) Journal of Design Studies





The call for submissions for Plot(s) Volume VI is now open. Plot(s) Journal of Design Studies is an annual peer-reviewed publication produced and edited by the MA Design Studies program at Parsons School of Design in New York. As a multidisciplinary journal, Plot(s) attempts to articulate the ways in which design can shape and transform the human experience.

This year we will produce a double printed issue featuring Volume V and VI, which will be released in Spring 2019. Accepted submissions will appear in print and online as part of our multimedia online journal that explores the realm of design research. Submissions are open to graduate students, recent graduates, design practitioners, and academics from all fields.

We are seeking submissions in the following suggested areas of exploration. Submissions venturing outside and beyond these themes will also be considered.
  • Design and Intersectional Politics
  • Design and Crisis Management
  • Dangerous Design
  • Design Futures/Design Realities


Guidelines for Submission:

6 September 2018

Library Researcher Week




Library Researcher Week, 8-12 October 2018, will draw together a week of presentations, workshops and discussion of research issues. There will be a range of dynamic and prominent researchers and experts presenting on themes covering publishing, managing research data, social media, researcher profiles and more!

The Library Researcher Week website provides the full Program and Participants.

Library Researcher Week is open to the RMIT University research community (academic staff and postgraduate research students).

Venue: Swanston Library Megaflex Building 10, level 6, Rooms 063/064

Contact your liaison librarian for more information.

Research Skills for HDR Candidates

The Library recently launched a range of online modules specifically designed for PhD and Masters by research candidates.



  • Researching your literature review
  • Setting up your researcher profile
  • Choosing where to publish.


Each module takes about 30 minutes to complete and includes practical activities that will benefit your research.  We encourage you to provide feedback and tell us what you think.

Further topics will be added in the future:
  • Are you being cited?
  • EndNote for your thesis.


These are online versions of the research skills workshops taught in the School of Graduate Research PhDUp program.   

If you would like to attend a face-to-face workshop, see the Library’s Researchers web page, or the PhD Up program, for details of available workshops.

Please contact your liaison librarian for further information or to book a research consultation.

4 September 2018

Parse - open call: Art & Migration


The editors welcome contributions exploring the embodied, affective, performative, material, visual, and spatial politics of cross-border human mobilities, through arts/design as well as other disciplines and practices.

Deadline for proposals: October 7th 2018

Art & Migration. Re-Making the World: Human Mobility, Border Violence, and Security Markets

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From the genocidal mass expulsion of Rohingya Muslims from Myanmar as refugees into Bangladesh, to the mass exodus of Syrians from the devastating civil war in their country across numerous borders from Lebanon and Turkey to Germany and Sweden, to the heterogeneous mobilities of migrants and refugees across much of the globe — we have witnessed over recent years a remarkable proliferation of new formations of human cross-border mobility, to an important degree always exuding some combination of autonomous subjective aspirations and desires.  In response, we have likewise seen these same social formations of mobility come to be branded as officially “unauthorized” and plainly illegalized if not criminalized, and consequently there have arisen a multiplication of extra-legal infrastructures dedicated to facilitating these illegalized mobilities (widely criminalized as